With so many cities on our agenda we were on a tight budget. Yet, we allowed ourselves a few indulgences, one being a two night stay in a Florentine monastery-turned quaint hotel. High-beamed ceilings, gigantic solid wood doors with tricky locks to suit. Engraved crosses in every corner and nook. It was magical.
We woke each morning feeling small in our bed under the majestic high ceiling, the dark-stained wooden beams in stark contrast with the white painted ceiling. We sauntered slowly toward our morning espresso then out onto the streets, a walk along brick pathed paths to the Duomo. I picture it now. Just before reaching the Duomo there was a cartoleria on our right, with fine swirling carte marmorizzate, and little packages tied up with twine in the storefront. I entered this tiny store, eyes wide with the beauty. Back out again, stepping down onto the sidewalk then around the corner to the Duomo its exterior littered with scaffolding and ladders, renovation on repeat through hundreds of years.
Everywhere you looked, right or left, tucked away and unnoticed or with the grandeur of a long entrance line, metal detector, and ticket there was art. It's a surprising thing when you see masterpieces in real life. They exceed or sometimes even disappoint what you've created in your mind's eye from textbooks and reprints. Larger in scale, slightly different colors than you expected, so much smaller, textures not perceived in 2D are now fresh and dangerously tangible in front of your eyes. Tony and I soaked it all in and by the end of the day we were completely exhausted, every sense overwhelmed. My feet hurt, my knees ached from standing and walking all day. My eyes literallly burned. But yet, there was just one more, just one more thing we had to see that day.....
Our agenda was tight in each city, with Rome and Florence leaving little time for casually walking the streets, stopping in for an espresso, people watching. Yet, it was the unplanned discoveries that remain the most memorabale and exciting. The traveling Chagall exhibit that just happened to be open until 9 p.m. in an art museum across from Hadrian's column in Rome. A large banner beckoning us inside. "Just an hour maybe? I'm not sure my legs can last much longer." Two hours later and we practically crawled out of the museum, exhausted but blissfully happy. So many colorful, joyful images. Other unexpected discoveries: The puppeteer shop in Florence, Pompeii and all its many secrets, cheese and bread dinner looking out our tiny window (just a hole cut in the wall) in Cinque Terre, a restaurant in Sorrento absolutely dwarfed and overtaken by lemon trees.
But there is one discovery that now, with greater life experience I more fully appreciate and understand. On the way back to our monostary hotel in Florence, just after the sun set we passed a dark, uninhabited, uncared for building that was quickly falling into a state of ruin. We paused a moment in our walk to study the circular blue and white tondi: roundels picturing small babies, scattered along the frieze above the portico. Tiled or porcelain tondi are found scattered all over Florence's architecture and usually symbolize the building's purpose, the architect, or the family that commissioned its building. This particular building was an orphanage and the porcelain baby was a symbol to the common people that children were safe here. As we walked the length of the orphanage's loggia we found a large, circular stone that was partially out in the couryard and partially inside the building. After reading a bit more we learned that the stone was used in the 1400's as a way to safely and anonymously leave an unwanted infant. The mother would place the baby on the stone, turn the stone like a Lazy Susan, so that the baby would then be in the interior courtyard of the orphanage. The baby's cries would alert the nuns inside as to it's presence and they would quickly retrieve the infant, ushering it to safety.
Twenty seven and preganant with my first-born I could not fathom the circumstances that would cause a mother to abandon her baby. Turning, turning, turning that rounded stone never to see your child again. Before experiencing the highs and lows, the indescribable love and pain of motherhood, this discovery of the Florentine orphanage left a deep impression on my young heart.
The Dropbox movie made an even greater impression. God was at work in my heart, in Tony's heart to see this movie. We knew the premise, South Korean pastor creates safe, heated box for mother's to leave their unwanted babies, babies that would have been abandoned to the elements had it not been for this pastor's invention. An idea as old as Florence, Italy now in modern Seoul. We knew the premise but we had no idea how deeply this movie would touch our hearts.
(Image from www.facebook.com - The Drop Box Film page)
I think there was a total of 10 minutes when I was not crying as Tony and I viewed this powerful film on an icy March night. When tears were not rolling, we were laughing in delight over these precious children.
This movie touched my soul in a powerful way. For you see, the babies abandoned were mostly disabled. The pastor and his wife who took them in - called powerfully and radically to care for "the least of these;" to literally be God's hands and feet to the children who would require the most care and love, many of whom would never be able to utter a word of thanks. At the time of filming this Pastor Lee and his wife were caring for 15 children, many (if not all) with disabilities. And you know what? I saw more joy, more prayer, more love, more purpose in that family than any I might witness in a house full of "typical" children.
There was one particular story-line in this film that pricked my heart, one vital piece of the story that left the deepest impression on me: a mother of a special needs daughter. This piece is not immediately revealed at the beginning of the film but is rather shared later, bit by bit. You watch baby after baby entering the tender care of this family. You watch this pastor lovingly pray over each child. Meal-times and bath times, and rolling around rough housing times. And all the while you are thinking, "Who would take on such a heart-wrenching, demanding, exhausting call? Who would take on this role? Who would feel such a passion?" And in these scenes you are not allowed to see (quite yet) the instrument of their calling. The broken vessel by which God would save many lives. Long before any Dropbox there was the birth of a man named Eun-man and he is Pastor Lee's eldest son, his son born with severe and profound disabilities. When the movie introduces 26 year old Eun-man, it does so in the context of the care given him by his father, his mother, and several adult volunteers. His needs are vast, and suddenly this movie with its joyful overtones turns quiet and somber. You watch several scenes of the labor intensive, yet tender care of Eun-man, from bathing him to feeding him, to suctioning out his tracheostomy.
(image from www.facebook.com The Dropbox Film page)
Then there is the scene where I literally hold my breath. Pastor Lee is talking to his son quietly before asking him to give the camera a smile. Based on all the previous scenes, all the care his son requires, all his challenges, you are left wondering will his son smile at the camera. Does he understand what his father is asking him to do? In the quiet pause as his dad says "Smile, give them a smile," your heart is breaking. He's not going to smile. He doesn't understand. And you want him so bad to smile. You want him so bad to prove to all of us he's in there, understanding his father who loves him so dearly. His father who is coaxing and rooting for a smile from his son. And just when you think there's no way he has the capability to respond, Eun-man smiles for the camera, slow and laborsome but a smile. Right there in our theatre seats we laughed and cried in relief and joy! You see, Eun-man is in there. This man who on the surface seems so profoundly challenged, has this spirit, has this joy. Lest you leave the movie feeling as though this was a one-time miracle, the final scenes include Eun-man giving smile after smile after smile, all in response to joyous things happening in his presence. It just touched my momma's heart so deeply. Parents of special needs children hold out hope for the simplest things and we find such joy, such relief, such comfort in one smile, one signal of understanding. This film so beautifully portrays that kind of love.
But perhaps more profoundly, I came away with this reminder from Pastor Lee. God sent our children to this Earth with a disablitiy and He did so for a purpose. I was reminded of Joseph's story and his faithful declaration to his guilt-ridden brothers, "You intended to harm me, but God intended it for good to accomplish what is now being done, the saving of many lives." Genesis 50:20
Society would say these children are burdens. Society would say, you parent of a child with a disability, you sibling of a child with a disability - your life is over, your life now full of restrictions. Here in America we may not abandon our children with disabilities at the rate other countries do, but we do abort them in shocking numbers, their lives considered not worth living. Yet, here is a man (Eun-Man) with profound challenges, totally dependent on others for his care but God has used him in the saving of many lives. Every baby entering that Dropbox finds safety and redemption because God has worked good out of a situation society sees as hopeless and pitiful. Eun-man's smile, his soul the avenue through which God would save many. Is there any greater purpose for one person's life?
The Dropbox film shows the value of human life, every life. The Dropbox film, Pastor Lee, his wife, and his small army of volunteers demonstrate to the world that every life has purpose, from the servants to those being served, from the helpless to the capable, from the broken to the whole - healed by God's grace. Each is valued, each is loved by a loving and gracious God.
"If my father and mother leave me,
the Lord will take me in." Psalm 27:10
From a Florentine orphanage to a South Korean Dropbox I am learning God's redemptive story for those broken and abandoned. God's redemptive story for broken me.



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